VALAMANESH/AHRARNIA, ART IN OTHER LANGUAGES in 'Farhad Ahrarnia, Hossein Valamanesh: In Creating Objects', edited by Fereshteh Moussavi, London, 2022
A PAST ALWAYS PRESENT in 'Forever is Now', Art d' Égypte, Cairo, 2021
MONIR SHAHROUDY FARMANFARMAIAN in 'Women in Abstraction', Centre Pompidou/Thames & Hudson, Paris/London, 2021
THE LANDSCAPES OF LIFE, in 'Maliheh Afnan: Personnages', Arkadia Editore, Cagliari 2019
FIGURES OF PROTEST IN CONTEMPORARY ARAB AND IRANIAN ART in 'The Image Debate: Figural Representation in Islam and Across the World', Gingko Library, London, 2019
Back-cover blurb in 'Narrator of Soveyda: A conversation between Nazanin Khosravani & Shadi Ghadirian', 009821 Publications, Tehran, 2018
A CHOREOGRAPHER OF LETTERS in 'Nja Mahdaoui', Skira, Milan, 2015
MANAL AL-DOWAYAN and JOWHARA ALSAUD in 'Edge of Arabia', ed. Booth-Clibborn, Edge of Arabia, London, 2012
MITRA TABRIZIAN IN CONVERSATION WITH ROSE ISSA in 'Mitra Tabrizian: This is That Place', Tate Publishing, London, 2008
FRAGMENTS OF A JOURNEY in 'Youssef Nabil: Portraits / Self-portraits', The Third Line Gallery, Dubai, 2007
ROSE ISSA IN CONVERSATION WITH SUSAN HEFUNA in 'Susan Hefuna: xcultural Codes', Kehrer Verlag, Heidelberg, 2004
SAYING IT SOFTLY: WOMEN FILMMAKERS IN THE ARAB WORLD AND IRAN in 'True Variety: Funding the Art of World Cinema', International Film Festival Rotterdam, 2003
THE NEW SCHEHRAZADES in 'Harem Fantasies and the new Scheherazades', CCCB, Institut d’Edicions de la Diputació de Barcelona, 2003 and Somogy Éditions, Lyon 2003
THE DESERT OF LOVE in 'Love Affairs', Ifa Gallery, Stuttgart/Bonn/Berlin, 2003.
ROSE ISSA IN CONVERSATION WITH SUSAN HEFUNA, in 'Susan Hefuna: Ventanas, La Vida en el Delta', Vacio9, Madrid 2002.
OF LOST EMPIRES AND LIVING TRIBES, in 'Fathi Hassan', Edizioni della Rovere, 2002.
AUDIENCES AND THE CRITICAL APPRECIATION OF CINEMA IN AFRICA – INTRODUCTION in 'Symbolic Narratives/African Cinema', ed. June Givanni, BFI Publishing, London, 2000
THE SHAPES OF MEMORIES in 'In morpheus armen', Cultureel Centrum Berchem, 1998.